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Broadcasters / ARTE / Arte Reportage

ARTE

Arte Reportage

Format

Reportage / news magazine

Length

52 min

Timeslot

Saturday afternoon (Slot 512)

Exposé length

3–5 pages

Editorial tone

Journalistic, current, perspective-driven. THE news magazine of ARTE. Franco-German perspective on world events. Journalistic angle — not features, not auteur films. Clear, direct, informative. Europe in focus. Professional reportage journalism at the highest level.

What this format covers

  • ●Current social and political topics
  • ●Franco-German perspective on global events
  • ●Europe in focus — EU politics, European societies
  • ●Conflict reporting with journalistic depth
  • ●Social movements and societal change
  • ●Reportages from international locations

What this format does NOT want

  • ●Feature formats or auteur films
  • ●Historical documentaries
  • ●Science or natural history topics
  • ●Entertainment or light formats
  • ●Cultural reporting without political-social dimension
  • ●Opinion journalism or commentary

Visual expectations

Professional reportage aesthetic. Original footage from locations. Interviews with participants and experts. Journalistic images — authentic, not staged. Graphics for contextualization. Current images matter more than perfect aesthetics. Fast turnaround for current topics must be possible.

Expected exposé structure

  1. Title + subtitle (journalistic, informative)
  2. Logline (2–3 sentences: which topic, which access, which perspective)
  3. Exposé body text with journalistic question
  4. Research status and access to protagonists/locations
  5. Franco-German dimension
  6. Shooting plan and feasibility
  7. Author / journalist, contact

Example productions

  • ARTE Reportage — Spezial Ukraine
  • ARTE Reportage — Im Herzen Europas
  • ARTE Reportage — Flucht über das Mittelmeer
  • ARTE Reportage — Frankreichs vergessene Vororte
  • ARTE Reportage — Der Krieg im Jemen

Editorial notes

Only slot supplied exclusively by ARTE GEIE — no ZDF, no ARD broadcasters. Saturday afternoon slot. Journalistic execution mandatory — no features, no documentary auteur films. The Franco-German perspective is the unique selling point. Current topics can be turned around faster here than at other ARTE slots.

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