Format
Investigative documentary / consumer journalism
Length
30–60 min
Timeslot
Monday 20:00, Channel 4
Exposé length
2–4 pages
Exposé, confrontational, partisan for the consumer. Dispatches is Channel 4's investigative spearhead — more combative and populist than BBC Panorama. The tone is direct and accessible: Dispatches doesn't just explain, it shows with hidden camera what's going wrong. The reporters are advocates for the audience. Undercover investigations are the trademark. The films often have a consumer angle: What does this scandal mean for YOU? Emotional involvement is permitted, but never at the expense of facts. The film must tell a clear impact story: expose wrongdoing, name those responsible, demand consequences.
Hidden-camera undercover footage is the core element. Confrontational interviews with those responsible. Documents and data visually presented — money flows, org charts, timelines. Affected people on camera — their stories emotionally accessible. Reconstructions sparingly used, but permitted. Graphics for complex connections. The look is journalistic-functional, not cinematic. Pace is high — Dispatches wastes no second.
Editorial notes
Dispatches has been on air since 1987 and is Channel 4's flagship for investigative journalism. The Monday evening 20:00 slot is prominent and reaches 1–3 million viewers. Dispatches is produced by various indies — Channel 4 has no in-house production capacity. The pitch must promise a clear revelation and outline the evidence base. Undercover projects are especially valued, but must be legally watertight. Channel 4 has its own legal department that vets every film before broadcast. Impact measurement is important: Dispatches films have triggered parliamentary debates, forced companies to act, and influenced legislation. Budget: £80,000–180,000 typical. Co-productions with international partners possible on topics with UK core relevance.