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CNN

Cnn Films

Format

Current Affairs Documentary

Length

90-120 min

Timeslot

Sunday 9pm, CNN / Max (Streaming)

Exposé length

4-8 pages

Editorial tone

Journalistic, topical, accessible. CNN Films combines CNN's news competence with the narrative depth of documentary film. The tone is serious, but not dry — CNN Films wants to tell stories that go beyond the news headline. The films are more narrative than a CNN segment, but more journalistic than a theatrical documentary. Timeliness is a competitive advantage — CNN can react quickly and pick up topics currently moving society. The narrative is clearly structured, chronological or thematic, always with a clear through-line. Voices from both sides are heard, even when the position is clear.

What this format covers

  • ●US politics, presidencies, campaigns, party politics
  • ●Justice, civil rights, Supreme Court, criminal law
  • ●Media, press freedom, disinformation
  • ●International conflicts and crises with US connection
  • ●Social movements, protest, societal change
  • ●Biographies of public figures (politics, law, activism)
  • ●Technology and society, privacy, AI

What this format does NOT want

  • ●Nature or wildlife films
  • ●Purely artistic or experimental documentaries
  • ●Topics without news value or topical relevance
  • ●Extremely long production timelines (CNN wants to air promptly)
  • ●Advocacy films that present only one side
  • ●Pop culture or entertainment without societal dimension
  • ●Local stories without broader relevance

Visual expectations

Professional broadcast quality with cinematic ambition. CNN Films relies on high-quality interviews, archival material from CNN's own archive and external sources, and on-the-ground research. Graphics and data visualizations in CNN style for complex contexts. The visual language is journalistically grounded, but narratively more ambitious than a CNN Special Report. No experimental visual style, but also not standard news format. The film must work both on the TV screen and in streaming.

Expected exposé structure

  1. Title (news-relevant, clear)
  2. Logline (1-2 sentences: What is the story? Why now?)
  3. News relevance and timing
  4. Synopsis (clearly structured, fact-based)
  5. Key on-camera protagonists and interview commitments
  6. Source situation and archival material
  7. Team biography (journalistic experience)
  8. Production timeline (CNN prefers fast turnaround)

Example productions

  • RBG (Betsy West & Julie Cohen, 2018)
  • Blackfish (Gabriela Cowperthwaite, 2013, akquiriert)
  • Three Identical Strangers (Tim Wardle, 2018)
  • Apollo 11 (Todd Douglas Miller, 2019)
  • The Hunt for Planet B (Nathaniel Kahn, 2021)
  • Dreamland: The Burning of Black Wall Street (Salima Koroma, 2021)
  • Navalny (Daniel Roher, 2022)
  • Dionne Warwick: Don't Make Me Over (Dave Wooley & David Heilbroner, 2021)

Editorial notes

CNN Films was founded in 2012 and quickly established itself as a major player in the US documentary market. CNN Films acquires finished films (often after festival premiere) and develops original projects. The CNN news apparatus is a competitive advantage — access to archive, contacts, and infrastructure. Amy Entelis heads the division and has a strong network in the festival world. CNN Films premieres frequently run at Sundance, Tribeca, and Toronto. Since the merger with Warner Bros. Discovery, CNN Films are also available on Max. Budgets for original productions range from $500,000-3 million USD. CNN prefers films that fit the current news cycle and enable cross-promotion with CNN shows (Anderson Cooper, Fareed Zakaria, etc.). License fees for acquisitions vary widely.

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