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Smithsonian Channel

Smithsonian Channel

Format

Science / History / Natural History Documentary

Length

60 min

Timeslot

Various, Smithsonian Channel / Paramount+

Exposé length

3–5 pages

Editorial tone

Informative, wonder-driven, scientifically solid. Smithsonian Channel combines the authority of the Smithsonian Institution with accessible storytelling. Tone is more serious than History Channel or Discovery — no sensationalism, but no dry lecture-hall style either. Science and history told as journeys of discovery. Expertise from Smithsonian researchers and curators flows through. The channel respects its audience's intelligence and delivers genuine insight. Visual beauty and intellectual depth go hand in hand. Voiceover is warm and inviting, never didactic. Facts aren't dumbed down — they're made comprehensible.

What this format covers

  • ●Aviation and aerospace — plane crashes (Air Disasters), NASA, space
  • ●History and archaeology — drawing on Smithsonian collections and experts
  • ●Natural sciences — biology, geology, physics, accessibly told
  • ●Nature and wildlife — ecologically grounded
  • ●American history and cultural heritage
  • ●Innovation and technology — breakthroughs and inventions
  • ●Forensics and crime science (Forensic Files style)

What this format does NOT want

  • ●Sensationalism or pseudoscience
  • ●Pure entertainment formats without educational value
  • ●Political opinion programming
  • ●True crime without forensic-scientific core
  • ●Reality TV or unscripted entertainment
  • ●Auteur film or experimental documentary
  • ●Topics without connection to science, history, or nature

Visual expectations

High-end documentary-film standard. Footage in museums, labs, and research facilities of the Smithsonian Institution. CGI and animation for scientific visualization (plane crashes, geological processes, astronomical phenomena). Drone shots of historic sites and natural landscapes. Expert interviews in authentic settings (curators beside exhibits, researchers in labs). Archival material and historic footage carefully restored. Macro photography for artifacts and fossils. Clean, clear visual language — professional, not over-staged.

Expected exposé structure

  1. Title (informative, curiosity-sparking)
  2. Logline (1–2 sentences: What is discovered or explained?)
  3. Scientific context and current research
  4. Synopsis (told as journey of discovery)
  5. Experts and Smithsonian connection
  6. Visual concept (CGI, archival material, specialist footage)
  7. Serialization potential and episode structure
  8. Team bio and references

Example productions

  • Air Disasters (seit 2011)
  • Secrets: Smithsonian (seit 2017)
  • America's Hidden Stories (seit 2019)
  • The Lost Tapes (2017-2019)
  • Aerial America (2010-2020)
  • Mummies Alive (2015)
  • The Day We Walked on the Moon (2019)
  • The Pacific War in Color (2018)
Science format

Editorial notes

Smithsonian Channel is a joint venture between the Smithsonian Institution and Paramount Global (formerly ViacomCBS). On air since 2007, positioned as serious educational broadcaster — between populist History Channel and more academic PBS. Connection to Smithsonian Institution (19 museums, 21 libraries, 9 research centers) gives unique access to experts and collections. Air Disasters is the most successful series. Channel produces predominantly with external production companies. Since integration into Paramount+, content also available on streaming. Budgets per episode: $150,000–500,000. International co-productions possible, especially for globally relevant topics. [TO VERIFY] Current commissioning contacts post-Paramount merger.

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